尼采的话加丁融的画每一个不曾起舞的日子都是对生命的孤负

彩穗方华｜之四（部分）宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

全部垂直都是不真实的，全部真理都是弯曲的。全部夸姣的事物都是弯曲地挨近自己的方针。

Everything straight is deceitful and all truths in the world are curved. All beautiful things approach their goal circuitously.

----Friedrich Nietzsche

辋川穗境｜之一（部分）宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

每一个不曾起舞的日子，都是对生命的孤负。

A day without dancingis a betrayal of life.

----Friedrich Nietzsche

彩穗方华｜之一（部分）宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

就算人生是出悲惨剧，咱们要绘声绘色地演这出悲惨剧，不要失掉了悲惨剧的绚丽和欣慰；就算人生是个梦，咱们也要有滋有味地做这个梦，不要失掉了梦的情致和趣味。

Should life end in tragedy we still play in it actively and vibrantly, instead of missing the impressiveness and splendor of it.Even if life is a dream we still go through it with interest, instead of missing the joy and charm of it.

----Friedrich Nietzsche

彩穗方华｜之三（部分）宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

真实的老练，应当是共同特性的构成，真实自我的发现，精神上的成果和丰盈。

The true meaning of maturity is the formation of individual personality, the realization of true ego, and the accomplishing and harvesting in spiritual sense.

----Friedrich Nietzsche

彩穗方华｜之一（部分）宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

假设没有音乐，日子将是一个过错。

Without music, life would be a mistake.

----Friedrich Nietzsche, Twilight of the Idols (1888)

轻风·曼舞 宣纸设色丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

美好只存在于沉着，其他都索然寡味。而最高的沉着，我只能从艺术家的著作中发现。美好发生自感觉与考虑的快捷。

The only happiness lies in reason; all the rest of the world is dismal. The highest reason, however, I see in the work of the artist ... Happiness lies in the swiftness of feeling and thinking: all the rest of the world is slow.

----Friedrich Nietzsche, Notes (1875)

彩穗方华｜之三（部分）宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

全部美的艺术、巨大的艺术的本质是感恩。

The essence of all beautiful art, all great art, is gratitude.

----Friedrich Nietzsche

日出·形象｜之一 宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

艺术不单单是关于天然实际的仿照，而本质是对天然实际的一种形而上的弥补，是作为对天然实际的降服而置于其旁的。

Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.

----Friedrich Nietzsche

彩穗方华｜之四（部分）宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

只要作为审美现象，人生和国际才显得是有足够理由的。在人生中须有新的美化的外观使生气勃勃的个别化国际执着于生命。

Life and world seem reasonable when being regarded as aesthetical phenomena. We need fresh and beautified appearances to make the individualized world immersed in thinking of life.

----Friedrich Nietzsche

彩穗方华｜之一（部分）宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

人们信任国际自身充满着美，可是忘了自己是美的原因。惟有他把美赠与国际，唉，一种人道的、太人道的美……归根结底，人把自己映照在事物里，他又把全部反映他的形象的事物认作美的：‘美’的判别是他的族类虚荣心……

Human beings believe that the world has been full of beautiful things, however they forget that they themselves are the very cause of the beautiful.

----Friedrich Nietzsche

辋川穗境｜之一（部分）宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

咱们自以为经过调查个别和真实咱们获取了观念和方式，但是关于天然真实的真实了解是不能经过咱们界说的方式与概念来完成的。这全部，仍然好像那个符号“X”一般地不可捉摸、难以界说。

We obtain the concept, as we do the form, by overlooking what is individual and actual; whereas nature is acquainted with no forms and no concepts, but only with an X which remains inaccessible and undefinable for us.

----Friedrich Nietzsche,On Truth and Lies in a Nonmoral Sense (1873)

日出·形象｜之一 宣纸设色 丁融

Herbaceous Moment Series/ DING Rong

color on Chinese rice paper

大音希声，大象无形。——我称这种境地为美。我希望全能的您也能显示这种美，不耽于形，不逐于力，一无是处。

When power becomes gracious and descends into the visible - such descent I call beauty. And there is nobody from whom I want beauty as much as from you who are powerful: let your kindness be your final self-conquest.

----Friedrich Nietzsche,Thus Spoke Zarathustra (1885)

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